Excerpted
                            from Hafiz: The
                            Mystic Poets Series 
                       "A Short Introduction to Hafiz's
                      Mysticism," pgs. 36-37.                   Hafiz belonged
    to the great sect from which so many of the most famous among Persian writers
    have sprung. Like Saadi and Jámí and Jalal ad-Dín-Rúmí and
    a score of others, he was a Sufi.                    The
                      keynote of Sufism is the union, the identification of God
                      and humanity. Numberless beautiful images are used to describe
                      this union. Rúmí: “There came one and
                      knocked at the door of the Beloved. And a voice answered
                      and said, ‘Who is there?’ The lover replied, ‘It
                      is I.’ ‘Go hence,’ returned the voice; ‘there
                      is no room within for thee and me.’ Then came the
                      lover a second time and knocked and again the voice demanded, ‘Who
                      is there?’ He answered, ‘It is thou.’ ‘Enter,’ said
                      the voice, ‘for I am within.’                   It
                      is a doctrine which lies at the root of all spiritual religions,
                      but pushed too
                      far it leads to pantheism, quietism, and eventually to
                      nihilism. The highest good to which the Sufis can attain
                      is the annihilation of the actual--to forget that they
                      have a separate existence, and to lose themselves in the
                      Divinity as a drop of water is lost in the ocean.                    
                      In
                      order to obtain this end, they
                      recommend ascetic living and solitude; but
                      they do not carry asceticism to the absurd extremes enjoined
                      by the Indian mystics, nor do they approve of artificial
                      aids for the subduing of consciousness, such as opium,
                      or hashish, or the wild physical exertions of the dancing
                      dervishes. The drunkenness of the Sufi poets, say their
                      interpreters, is nothing but an ecstatic frame of mind,
                      in which the spirit is intoxicated with the contemplation
                      of God just as the body is intoxicated with wine.                   
                      According
                      to the Dabistan, there are four stages in the manifestation
                      of the Divinity: in the first the mystic sees God in the
                      form of a corporal being; in the second he sees him in
                      the form of one of his attributes of action, as the maker
                      or the preserver of the world; in the third he appears
                      in the form of an attribute which exists in his very essence,
                      as knowledge or life; in the fourth the mystic is no longer
                      conscious of his own existence. To the last he can hope
                      to attain but seldom.                   
                      Hafiz:
                              The Mystic Poets, trans. Gertrude Bell, preface
                              by Ibrahim Gamard (Woodstock,
                  Vermont: Skylight Paths Publishing, 2004) 36-37. 
                      Used
                          with permission of Skylight
                      Paths Publishing.                   
                        
                       
                       
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    (Woodstock, Vermont: Skylight Paths Publishing, 2004.) 36-37. 
                        
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