Excerpt
                        from Hopkins: The Mystic Poets, 
"A Short Introduction to Hopkins's Mysticism," 
    pgs. 17-18.                    Hopkins
                      is a poet of the spirit, but he is also one of our greatest
                      innovators when it comes to seeing the natural world. For
        example, in his unique vision:                   
                    Snow
                          is “wiry and white-fiery” and “whirlwind-swivelled.” 
      Clouds become “silk-sacks.” 
      Stars are “circle-citadels.” 
      Violent seas are “rash smart sloggering brine.” 
                                     Sometimes
                      the words themselves do not make sense, but the combination  
    of words, and the sound of them, does.                   
                    Dawn
                          is imaged in “the bent world’s brink.” 
      The riverbank, “wind-wandering weed-winding.” 
                                      Hopkins’s
                      mysticism also combines these two themes: love for the natural  
    world and passion for Christ. Hopkins refers to Jesus using images of  
    creation: “womb-of-all, home-of-all”; he refers to Christ as Savior
    as  
“ our passion-plungèd giant risen.” Many books have been written
  about  
    this Jesuit’s unusual love and attachment for Jesus Christ, as seen in  
    the images of his poems. Most directly he united his love for the natural  
    world--and his vision of it--with his greater beloved, Christ. Like
    William 
    Blake before him, Hopkins had mystical visions of God in the natural world.                   
                   When
                      reading the poems, we may sometimes wonder if the world Hopkins  
    inhabited was the same one as our own. How do mystics see the natural  
    world and the Divine as so completely intertwined? How can we live in  
    the earthly world yet be ever conscious of the presence of God? An 
    insight into the answer is offered in a journal entry that Hopkins wrote  
    in September 1870. After a lyrical description of his first sight of the 
    northern lights, he continued: “This busy working of nature wholly  
    independent of the earth and seeming to go on in a strain of time not  
    reckoned by our reckoning of days and years but simpler and as if 
    correcting the preoccupation of the world and by being preoccupied  
    with and appealing to and dated to the day of judgment was like a new  
    witness to God and filled me with delightful fear.” For
    Hopkins and 
    mystics like him, from Hafiz to Blake to Sri Ramakrishna, all 
    creation led to the Divine.                   
                  Hopkins:
                        The Mystic Poets , preface by Rev. Thomas Ryan (Woodstock,
                Vermont: Skylight Paths Publishing, 2004.) 17-18. 
    Used with
        permission of Skylight
        Paths Publishing. 
      
       
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